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Their stormy relationship has been compared to a marriage. Campe was a liberal who published as many dissident authors as he could. He had developed various techniques for evading the authorities.

The laws of the time stated that any book under pages had to be submitted to censorship the authorities thought long books would cause little trouble as they were unpopular.

One way around censorship was to publish dissident works in large print to increase the number of pages beyond The censorship in Hamburg was relatively lax but Campe had to worry about Prussia, the largest German state which had the largest market for books it was estimated that one-third of the German readership was Prussian.

Initially, any book which had passed the censor in a German state was able to be sold in any of the other states but in this loophole was closed.

Campe was reluctant to publish uncensored books as he had bad experience of print runs being confiscated. Heine resisted all censorship; this issue became a bone of contention between the two.

However, the relationship between author and publisher started well: Campe published the first volume of Reisebilder "Travel Pictures" in May This volume included Die Harzreise , which marked a new style of German travel-writing, mixing Romantic descriptions of Nature with satire.

Heine's Buch der Lieder followed in This was a collection of already published poems. No one expected it would be one of the most popular books of German verse ever published and sales were slow to start with, picking up when composers began setting Heine's poems as Lieder.

It contains the ironic disillusionment which is typical of Heine:. Starting from the mids, Heine distanced himself from Romanticism by adding irony, sarcasm and satire into his poetry, and making fun of the sentimental-romantic awe of nature and of figures of speech in contemporary poetry and literature.

Das Fräulein stand am Meere Und seufzte lang und bang. Es rührte sie so sehre der Sonnenuntergang. Mein Fräulein!

Sein sie munter, Das ist ein altes Stück; Hier vorne geht sie unter Und kehrt von hinten zurück. A mistress stood by the sea sighing long and anxiously.

She was so deeply stirred By the setting sun My Fräulein! The blue flower of Novalis , "symbol for the Romantic movement", also received withering treatment from Heine during this period, as illustrated by the following quatrains from Lyrisches Intermezzo [30] :.

Am Kreuzweg wird begraben Wer selber brachte sich um; dort wächst eine blaue Blume, Die Armesünderblum. Am Kreuzweg stand ich und seufzte; Die Nacht war kalt und stumm.

Im Mondenschein bewegte sich langsam Die Armesünderblum. I stood at the cross-road and sighed The night was cold and mute. Heine became increasingly critical of despotism and reactionary chauvinism in Germany, of nobility and clerics but also of the narrow-mindedness of ordinary people and of the rising German form of nationalism , especially in contrast to the French and the revolution.

Nevertheless, he made a point of stressing his love for his Fatherland :. Plant the black, red, gold banner at the summit of the German idea, make it the standard of free mankind, and I will shed my dear heart's blood for it.

Rest assured, I love the Fatherland just as much as you do. The first volume of travel writings was such a success that Campe pressed Heine for another.

Reisebilder II appeared in April It contains the second cycle of North Sea poems, a prose essay on the North Sea as well as a new work, Ideen: Das Buch Le Grand , which contains the following satire on German censorship: [31] [32].

Heine went to England to avoid what he predicted would be controversy over the publication of this work. Heine was unimpressed by the English: he found them commercial and prosaic, and still blamed them for the defeat of Napoleon.

On his return to Germany, Cotta , the liberal publisher of Goethe and Schiller, offered Heine a job co-editing a magazine, Politische Annalen , in Munich.

Heine did not find work on the newspaper congenial, and instead tried to obtain a professorship at Munich University, with no success.

The aristocratic poet August von Platen had been annoyed by some epigrams by Immermann which Heine had included in the second volume of Reisebilder.

He counter-attacked by writing a play, Der romantische Ödipus , which included anti-Semitic jibes about Heine. Heine was stung and responded by mocking Platen's homosexuality in Die Bäder von Lucca.

Heine left Germany for France in , settling in Paris for the remainder of his life. Heine shared liberal enthusiasm for the revolution, which he felt had the potential to overturn the conservative political order in Europe.

Saint-Simonianism preached a new social order in which meritocracy would replace hereditary distinctions in rank and wealth.

There would also be female emancipation and an important role for artists and scientists. Heine frequented some Saint-Simonian meetings after his arrival in Paris but within a few years his enthusiasm for the ideology — and other forms of utopianism- had waned.

Heine soon became a celebrity in France. Paris offered him a cultural richness unavailable in the smaller cities of Germany.

He had little interest in French literature and wrote everything in German, subsequently translating it into French with the help of a collaborator.

In Paris, Heine earned money working as the French correspondent for one of Cotta's newspapers, the Allgemeine Zeitung.

The first event he covered was the Salon of His articles were eventually collected in a volume entitled Französische Zustände "Conditions in France".

If the two countries understood one another there would be progress. Heine thought that such an image suited the oppressive German authorities.

He also had an Enlightenment view of the past, seeing it as mired in superstition and atrocities. According to Heine, pantheism had been repressed by Christianity and had survived in German folklore.

He predicted that German thought would prove a more explosive force than the French Revolution. Heine reluctantly began a relationship with her.

She was illiterate, knew no German, and had no interest in cultural or intellectual matters. Nevertheless, she moved in with Heine in and lived with him for the rest of his life they were married in Heine and his fellow radical exile in Paris, Ludwig Börne , had become the role models for a younger generation of writers who were given the name " Young Germany ".

They were liberal, but not actively political. Nevertheless, they still fell foul of the authorities.

In Gutzkow published a novel, Wally die Zweiflerin "Wally the Sceptic" , which contained criticism of the institution of marriage and some mildly erotic passages.

In November of that year, the German Diet consequently banned publication of works by the Young Germans in Germany and — on Metternich's insistence — Heine's name was added to their number.

Heine, however, continued to comment on German politics and society from a distance. His publisher was able to find some ways of getting around the censors and he was still free, of course, to publish in France.

Heine's relationship with his fellow dissident Ludwig Börne was troubled. Since Börne did not attack religion or traditional morality like Heine, the German authorities hounded him less although they still banned his books as soon as they appeared.

Börne was the idol of German immigrant workers in Paris. He was also a republican, while Heine was not.

Heine regarded Börne, with his admiration for Robespierre , as a puritanical neo-Jacobin and remained aloof from him in Paris, which upset Börne, who began to criticise him mostly semi-privately.

In February , Börne died. When Heine heard that Gutzkow was writing a biography of Börne, he began work on his own, severely critical "memorial" of the man.

When the book was published in it was universally disliked by the radicals and served to alienate Heine from his public.

Even his enemies admitted that Börne was a man of integrity so Heine's ad hominem attacks on him were viewed as being in poor taste.

Heine had made personal attacks on Börne's closest friend Jeanette Wohl so Jeannette's husband challenged Heine to a duel. It was the last Heine ever fought — he received a flesh wound in the hip.

Before fighting, he decided to safeguard Mathilde's future in the event of his death by marrying her. Heine continued to write reports for Cotta's Allgemeine Zeitung and, when Cotta died, for his son and successor.

One event which really galvanised him was the Damascus Affair in which Jews in Damascus had been subject to blood libel and accused of murdering an old Catholic monk.

This led to a wave of anti-Semitic persecution. The French government, aiming at imperialism in the Middle East and not wanting to offend the Catholic party, had failed to condemn the outrage.

On the other hand, the Austrian consul in Damascus had assiduously exposed the blood libel as a fraud. For Heine, this was a reversal of values: reactionary Austria standing up for the Jews while revolutionary France temporised.

Heine responded by dusting off and publishing his unfinished novel about the persecution of Jews in the Middle Ages, Der Rabbi von Bacherach.

German poetry took a more directly political turn when the new Frederick William IV ascended the Prussian throne in Initially it was thought he might be a "popular monarch" and during this honeymoon period of his early reign —42 censorship was relaxed.

This led to the emergence of popular political poets so-called Tendenzdichter , including Hoffmann von Fallersleben author of Deutschlandlied , the German anthem , Ferdinand Freiligrath and Georg Herwegh.

Heine looked down on these writers on aesthetic grounds — they were bad poets in his opinion — but his verse of the s became more political too.

Heine's mode was satirical attack: against the Kings of Bavaria and Prussia he never for one moment shared the belief that Frederick William IV might be more liberal ; against the political torpor of the German people; and against the greed and cruelty of the ruling class.

The most popular of Heine's political poems was his least typical, Die schlesischen Weber "The Silesian Weavers" , based on the uprising of weavers in Peterswaldau in In October , Heine's distant relative and German revolutionary, Karl Marx , and his wife Jenny von Westphalen arrived in Paris after the Prussian government had suppressed Marx's radical newspaper.

The Marx family settled in Rue Vaneau. Marx was an admirer of Heine and his early writings show Heine's influence. In December Heine met the Marxes and got on well with them.

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Die Bilder im Online Shop von Heine faszinieren mit poetischen, blumigen, modernen und historischen Motiven.

Die ausgesuchten Reproduktionen unterscheiden sich fast nicht von den Originalen. Mit einem sinnreichen Küchenbild oder einem dezenten Glasbild werden die angebotenen Bilder im Online Shop von Heine vervollständigt.

Sogar ein Bild der modernen abstrakten Malerei ist als Reproduktion vertreten, besonders exklusiv, ist der hochwertige Rahmen im antiken Stil.

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Sowohl Bilder im Rahmen als auch ohne Rahmen werden von Heine mit der entsprechenden Möglichkeit zum Aufhängen geliefert.

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